MEG 05 Solved Assignment 2021-22

MEG 05 Solved Assignment 2021-22

MEG 05 Solved Assignment 2021-22, MEG 08 Solved Assignment 2021-22 , MEG 05 Assignment 2022 , FREE MEG 05 Assignment , IGNOU Assignments 2021-22- Gandhi National Open University had recently uploaded the assignments of this session for the year 2021-22. Students are recommended to download their Assignments from this webpage itself. MEG 05 Solved Assignment 2021-22 They don’t need to go anywhere else when everything regarding the Assignments are available during this text only.

MEG 05 Solved Assignment 2021-22: for college kids – MEG 05 Literary Criticism & Theory Solved Assignment 2021-22, Students are advised that after successfully downloading their Assignments, you’ll find each and every course assignments of your downloaded. Candidates got to create separate assignment for the IGNOU Master Course, so as that it’s easy for Evaluators to ascertain your assignments. 

MEG 05 Solved Assignment 2021-22

 

Literary Criticism & Theory

Max. Marks: 100

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Answer all questions.

1. Bring out the salient features of Plato's attack on poetry'

20

In order to understand Plato's attack on poetry we have to take in consideration the political and social context of Athens at that time. It was the context where Plato devoted all his efforts to uplift the moral condition of the individuals and the well being of the state. The aim of his literary criticism was to educate the youth and form them into good citizens of his ideal state. It was the age of political decline and the moral and educational standard of the citizens were in a poor state.

The epics of Homer were very much rooted in every sphere of the society, and the influence of the poets on the society was too deep. Plato being a philosopher, to prove the superiority of the philosophy, he severely attacked poetry. Apart from poetry he criticized every other form of arts. Plato’s concepts on art were base son his Theory of Ideas. He believed that ideas are the ultimate reality. The ideas of everything are the original pattern and the things are the copies. So he viewed all forms of art as merely copies of copy, twice moved from reality.

Things itself being imperfect and copies of the ideas, their reproduction in art must be more imperfect. He believed that the works of art takes man away from reality rather than leading to it. It neither helped to mould the character nor to promote the well being of the state. These were the basic principles underlined behind Plato’s critics on arts in general. Plato criticizes poetry in several of his dialogues, beginning with Apology, his first work, and ending with Laws, his last. Plato’s critics on poetry are basically concerned of two standards. The first concern was for the good of the individual and the state.

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Based on this standard he finds in poetry more to condemn it than approve. Same like his concepts about the other types of arts, his concepts about poetry also was under severe critic due to its unrealistic nature and its incapacity to be worthy to the society and individual. He severely condemned the incapacity of the art forms to get in to the roots/ reality and being concerned with only the twice removed reality. This was the first standard he used to condemn the poetry and other art forms in general. He attacked poetry on four grounds—moral, emotional, intellectual and utilitarian.

Poetic inspiration

Poets does not write what he has thought to say, but because he is inspired. It means they do not compose the poem based on some virtue and reason, but based on some impulses and non-rational kind coming from supernatural source. A sudden outpouring of the soul based on the sudden impulse of the moment does not be based on reason. Hence their pronouncements are unreliable and uncertain. They are not safe guides and it cannot be followed, it also cannot make the individuals a better citizens and the state a better organization.

MEG 05 Solved Assignment 2021-22 : All assignments are in PDF format which would be send on email/WhatsApp (9958676204) just after payment.

There might be some truth in them, for they are divinely inspired, but such partial and imperfect truths must be carefully examined. Such truths cannot use as a substitute for knowledge based on reason. As the poems are based on the ‘divinely inspired’ and completely based on inspiration, sometimes the poets themselves cannot explain what they write. Another aspect of poetry which he criticizes is, the imitation or blind reliance on the passionate elements of the soul. He Plato divides the soul into three parts:

1.     rational,

2.     spirited,

3.     appetitive.

The imitation of the non-rational part of the soul will give greater pleasure.

The poets and the other artists imitates this baser, non-rational part of the soul, and it leads them to away from reality and reason and become merely indulged in emotional outburst. The poets will be ashamed in their real-life of the emotional over pouring which takes place during their poetic or other artistic performances. He condemns poetry in Republic X, for the poets, “they feed and water the passions instead of drying them up, and let them rule instead of ruling them as they ought to be ruled, with a view to the happiness and virtue of ‘mankind.”

2. Write short notes on the following:

4 x 5 = 20

a) Aristotle's theory of tragedy

As the great period of Athenian drama drew to an end at the beginning of the 4th century BCE, Athenian philosophers began to analyze its content and formulate its structure. In the thought of Plato (c. 427–347 BCE), the history of the criticism of tragedy began with speculation on the role of censorship. To Plato (in the dialogue on the Laws) the state was the noblest work of art, a representation (mimÄ“sis) of the fairest and best life. He feared the tragedians’ command of the expressive resources of language, which might be used to the detriment of worthwhile institutions. He feared, too, the emotive effect of poetry, the Dionysian element that is at the very basis of tragedy. Therefore, he recommended that the tragedians submit their works to the rulers, for approval, without which they could not be performed. It is clear that tragedy, by nature exploratory, critical, independent, could not live under such a regimen.

Plato is answered, in effect and perhaps intentionally, by Aristotle’s Poetics. Aristotle defends the purgative power of tragedy and, in direct contradiction to Plato, makes moral ambiguity the essence of tragedy. The tragic hero must be neither a villain nor a virtuous man but a “character between these two extremes a man who is not eminently good and just, yet whose misfortune is brought about not by vice or depravity, but by some error or frailty [hamartia].” The effect on the audience will be similarly ambiguous. A perfect tragedy, he says, should imitate actions that excite “pity and fear.” He uses Sophocles’ Oedipus the King as a paradigm.

b) Poet as "a man speaking to men"

c) The woman as the 'second sex'

d) Base-superstructure relationship in Marxist criticism

e) Patriarchy

3. How are myths and archetypes examined to grasp the significance of twentieth century English writing? Explain.

20

4. What is Structuralism? How is it helpful in grasping the appeal and intent of a literary text?

20

5. Postmodernism lays special emphasis on identity and difference. Discuss.

20

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MEG 05 Solved Assignment 2021-22 : All assignments are in PDF format which would be send on email/WhatsApp (9958676204) just after payment.

Those students who had successfully submitted their Assignments to their allocated study centres can now check their Assignment Status. Along with assignment status, they can also checkout their assignment marks & result. MEG 05 Solved Assignment 2021-22 All this is available in an online mode. MEG 05 Solved Assignment 2021-22 After submitting the assignment, you can check you IGNOU Assignment Status only after 3-4 weeks. It might take 40 days to declare.

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