MEG
03 Solved Assignment 2022-23
BRITISH NOVEL
MEG 03 Solved Assignment 2021-22 : All assignments are in PDF format which would be send on email/WhatsApp (9958676204) just after payment.
Programme:
MEG/2022/2023
Course
Code: MEG 03
Max.
Marks: 100
Answer all questions in this assignment.
1. “Fielding is one of the most pro-woman writers in
English.” Do you agree with this view? Justify your answer with illustrations
from the text of Tom Jones.
20
Henry Fielding, (born April 22, 1707, Sharpham Park,
Somerset, Eng.—died Oct. 8, 1754, Lisbon), novelist and playwright, who, with
Samuel Richardson, is considered a founder of the English novel. Among his
major novels are Joseph Andrews (1742) and Tom Jones (1749).
Fielding was born of a family that by tradition traced
its descent to a branch of the Habsburgs. The 1st earl of Denbigh, William
Fielding, was a direct ancestor, while Henry’s father, Col. Edmund Fielding,
had served under John Churchill, duke of Marlborough, an early 18th-century
general, “with much bravery and reputation.” His mother was a daughter of Sir
Henry Gould, a judge of the Queen’s Bench, from whom she inherited property at
East Stour, in Dorset, where the family moved when Fielding was three years
old. His mother died just before his 11th birthday. His father having married
again, Fielding was sent to Eton College, where he laid the foundations of his
love of literature and his considerable knowledge of the classics. There he
befriended George Lyttelton, who was later to be a statesman and an important
patron to him.
Leaving school at 17, a strikingly handsome youth, he
settled down to the life of a young gentleman of leisure; but four years later,
after an abortive elopement with an heiress and the production of a play at the
Drury Lane Theatre in London, he resumed his classical studies at the
University of Leiden in Holland. After 18 months he had to return home because
his father was no longer able to pay him an allowance. “Having,” as he said,
“no choice but to be a hackney-writer or a hackney-coachman,” he chose the
former and set up as playwright. In all, he wrote some 25 plays. Although his
dramatic works have not held the stage, their wit cannot be denied. He was
essentially a satirist; for instance, The Author’s Farce (1730) displays the
absurdities of writers and publishers, while Rape upon Rape (1730) satirizes
the injustices of the law and lawyers. His target was often the political
corruption of the times. In 1737 he produced at the Little Theatre in the Hay
(later the Haymarket Theatre), London, his Historical Register, For the Year
1736, in which the prime minister, Sir Robert Walpole, was represented
practically undisguised and mercilessly ridiculed. It was not the first time
Walpole had suffered from Fielding’s pen, and his answer was to push through
Parliament the Licensing Act, by which all new plays had to be approved and
licensed by the lord chamberlain before production.
The passing of this act marked the end of Fielding’s
career as a playwright. The 30-year-old writer had a wife and two children to
support but no source of income. He had married Charlotte Cradock in 1734, this
time after a successful elopement, the culmination of a four-year courtship.
How much he adored her can be seen from the two characters based on her, Sophia
Western in Tom Jones and Amelia in the novel of that name: one the likeness of
her as a beautiful, high-spirited, generous-minded girl, the other of her as a faithful,
much-troubled, hard-working wife and mother. To restore his fortunes, Fielding
began to read for the bar, completing in less than three years a course
normally taking six or seven. Even while studying, however, he was editing, and
very largely writing, a thrice-weekly newspaper, the Champion; or, British
Mercury, which ran from November 1739 to June 1741. This, like some of his
later journalism, was strongly anti-Jacobite.
2. Discuss how Pride and Prejudice engages with the
theme of love and marriage.
20
3. Heathcliff, in Emily Bronte’s novel Wuthering
Heights is often referred to in derogatory terms by the other characters, as
being ‘the evil beast’, ‘uncivilised’, ‘without refinement’ and so on. Do you
agree with such a judgement of Heathcliff?
20
4. Comment on the symbolism of the title Heart of
Darkness.
20
5. Write a critical essay on the narrative technique
adopted by Muriel Spark in The Prime of Miss Jean Brodie.
20
MEG 03 Solved Assignment 2021-22 : All assignments are
in PDF format which would be send on email/WhatsApp (9958676204) just
after payment.
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